For 6 years, the Californian government has been trying to pass a law which would essentially make it a criminal offense to sell adult games to minors. It would have had far-reaching implications and would have cost the games industry a massive blow to its creativity and way of thinking. Needless to say, its not the idea of keeping kids away from adult games we disagree with, merely the absurd notion that blanket-banning everything is the correct way of dealing with the issue – something most anti-gaming politicians seem to want. Luckily, common sense and justice has prevailed because the Supreme Court overturned the proposed law yesterday and we can carry on shooting zombies in peace.
It’s all to do with freedom of speech – art and literature can and should be free to express whatever ideas we like to an extent, and the only reason this 6-year battle has waged is because videogames are the youngest, least understood form of it. From now on, games should be protected in the same way other forms of expression are, like books and films. If this law had been approved, it would have meant game developers would have had to think very carefully about making mature games, because there’d be a lot more hoops to jump through in order to actually sell them. The same argument crops up again and again throughout history, and the end result has always been the same. What pisses me off is that the people responsible for suggesting the ban don’t seem to have any real understanding of the subject they are arguing about.
Kotaku have a bunch of interesting articles about the whole thing, including some reactions from a few of the big names in gaming. It’s all well worth reading if you want to know more. I’m just relieved I can continue to enjoy the games I love, and the developers can continue to make them.
Ken Levine, the maker of Bioshock, sums it all up very elegantly: “Today, the Court brought the medium we love fully into that circle of freedom. And we move forward empowered, but also with a sense of responsibility that words have meaning. So we as creators will choose our words with respect, understanding their power. But no law will have the authority to choose them for us.”
Dome Keeper is an excellent little spin on the tower defense game, in which you play the role of a jetpacking miner defending his base from swarms of aliens, whilst searching for a hidden relic buried somewhere beneath him. And now, with this huge free update, you can play it with friends.
I want to talk about Cloudpunk, a game where you get to be a flying-car delivery driver in a futuristic cyberpunk city. Its world is an incredible achievement of environmental design, and while the gameplay itself may be basic, the city of Nivalis is a thing of beauty to behold. Nivalis is built out of hundreds of hand-modelled cuboid buildings; there’s nothing procedural about it. Apparently it took 3 years for the devs to design the city, and it really shows.
I do love me some quality pixel art, and it doesn’t get much better than this. Cast n Chill is a cozy side-scrolling fishing game by small indie dev team Wombat Brawler, with absolutely gorgeous visuals. It’s simple to play, and you you can dip in and out of it at your leisure, making it a fine addition to our collection of coffee break games.
The latest trailer for Dune Part Three just dropped. It looks rather splendid.
Fighter Ace was a free-to-play Second World War dogfighting game. You just logged in, spawned in a big sky with about 20 or 30 other people and shot the shit out of each other. It taught me that the Japanese Zero was one of the greatest fighter planes of WW2. Sure, it was lightly armoured and went down easily with just a few direct hits, but it was so manoeuvrable, so fast and agile that it could take on pretty much any other plane and come out on top.
It’s safe to say that Fumito Ueda’s third game was one of my most anticipated titles of the previous generation. Announced in 2009, I eagerly watched every gameplay trailer and read up every snippet of information I could. Ico and Shadow of the Colossus remain two of my most beloved games, and I found the idea of another game by the same studio a mouth-watering temptation. A multitude of delays and long periods of silence from both Sony and the developers led many to believe it would never see the light of day, not to mention the troubling news that Ueda himself had left the project due to creative differences with Sony. The game lingered in development hell for several years and its fate was uncertain. Ueda and his team remained with the project as consultants and the game eventually had a release date set for December 2016. My excitement rekindled and I wondered how it could ever live upto 7 years of anticipation. So, was it worth the wait?
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