Along with dozens of other impulse-purchases thanks (or no thanks) to the recent Christmas sale on Steam, we decided to get our hands on the entire GTA IV collection for about £6 in December, which right now has ended up being one of the best decisions we made last year. Why? The GTA IV video editor, that’s why! Next stop, Hollywood.
Basically, we find running each other over/jumping from atop a bridge onto each others’ cars in Grand Theft Auto IV far too entertaining. Seeing that amazing NaturalMotion ragdoll engine at work when characters are hit by cars or blown away by a rocket basically makes our day. So after seeing one of the most amazing Machinima videos ever, ‘The Brothers Mario’, on YouTube, we decided we wanted to try our hand at video production in GTA IV ourselves…
What has come about from it so far is a bloody ridiculous amount of stupid, idiotic, childish, immature, but ultimately hilarious scenes that we’ve managed to chop together to make a bunch of laugh-out-loud worthy (at least for us!) videos of us being the opposite of genius in GTA IV. So many of the funniest moments were entirely random events that we hadn’t actually planned out, and for that reason, the comedy value was even higher.
I played as an FBI-type fellow, and Matt as a gimp/burglar chap.
Dome Keeper is an excellent little spin on the tower defense game, in which you play the role of a jetpacking miner defending his base from swarms of aliens, whilst searching for a hidden relic buried somewhere beneath him. And now, with this huge free update, you can play it with friends.
I want to talk about Cloudpunk, a game where you get to be a flying-car delivery driver in a futuristic cyberpunk city. Its world is an incredible achievement of environmental design, and while the gameplay itself may be basic, the city of Nivalis is a thing of beauty to behold. Nivalis is built out of hundreds of hand-modelled cuboid buildings; there’s nothing procedural about it. Apparently it took 3 years for the devs to design the city, and it really shows.
I do love me some quality pixel art, and it doesn’t get much better than this. Cast n Chill is a cozy side-scrolling fishing game by small indie dev team Wombat Brawler, with absolutely gorgeous visuals. It’s simple to play, and you you can dip in and out of it at your leisure, making it a fine addition to our collection of coffee break games.
WoW consumed my life for almost the entirety of 2004/05, when I was studying for my A-levels, and was probably a key contributor to my D-grades. I’m probably not the only person who would admit to daydreaming of roaming through Elwynn Forest, even many years after I stopped playing. I just spent so much time there, and other places of that world, sometimes roleplaying, always questing, but best of all simply exploring an unknown land. Even though I LOVE what Blizzard did in Cataclysm, my favourite memories all come from what they call Vanilla WoW, the original version of the game.
One of my all-time favourite gaming memories is playing Haunting Ground with my mates at the flat in Baldock for 16 hours straight. It was me holding the controller for almost all of those 16 hours. It’s a bit obscure, so if you haven’t heard of it, it’s a survival horror game by Capcom, in which you play as a pretty little fragile girl called Fiona, who must escape from a huge labyrinthine castle. Oh, and you can’t fight. Your only option is to run away and hide from the nasty people that are out to get you. You do have a companion throughout though, the best dog in gaming, a white German Shepherd called Hewie.
It’s safe to say that Fumito Ueda’s third game was one of my most anticipated titles of the previous generation. Announced in 2009, I eagerly watched every gameplay trailer and read up every snippet of information I could. Ico and Shadow of the Colossus remain two of my most beloved games, and I found the idea of another game by the same studio a mouth-watering temptation. A multitude of delays and long periods of silence from both Sony and the developers led many to believe it would never see the light of day, not to mention the troubling news that Ueda himself had left the project due to creative differences with Sony. The game lingered in development hell for several years and its fate was uncertain. Ueda and his team remained with the project as consultants and the game eventually had a release date set for December 2016. My excitement rekindled and I wondered how it could ever live upto 7 years of anticipation. So, was it worth the wait?